Complete Catalog of Prints: page 1


ANTOGNINI, Alfredo (Born 1938) paintings

Born in Argentina, Antognini holds degrees in drawing and painting from the School of Fine Arts in Buenos Aires and a PhD in Philosophy from the University of Buenos Aires. Until 1975, he was a teacher of painting in the studio of the Argentinian sculptor Aurelio Macchi. His works have been exhibited internationally-in Paris, Mexico City and Buenos Aires as well as in La Jolla and San Diego, where he has resided since 1976.


EZ037-THE LESSON

Etching: black (Artist's Proof)

Image: 19.5 x 25 cm (matt)

Signed/Date LR-Title LL (pencil)

Date: 1995

 

EZ038-LA RAMBLE

Etching: black (Artist's Proof)

Image: 17.5 x 12.5 cm (matt)

Signed/Date LR-Title LL (pencil)

Date: 1995

 

EZ039-SIESTA

Etching and acquatint: black (Artist's Proof)

Image: 19.5 x 25 cm (matt)

Signed/Date LR-Title LL (pencil)

Date: 1995

 

EZ040-BANISTEC

Etching: (Artist's Proof)

Image: 12.5 x 17.5 cm (matt)

Signed/Date LR-Title LL

Date: 1995

 

EZ042-LA PLAYA

Etching/Acquatint: black (Artist's Proof)

Image: 12.5 x 17.5 cm (matt)

Signed/Date LR-Title LL (pencil)

Date: 1995

 

EZ043-VIOLIN

Etching and acquatint: black (Épreuve d'artiste)

Image: 17.5 x 12.5 cm (matt)

Signed/Date LR-Title LL (pencil)

Date: 1995


AVATI, Mario (b 1921)

Mario Avati is considered one of the world's great printmakers, and his work is represented in major collections here and abroad. He worked with Marc Chagall at which time he developed his tendency towards art of a surrealistic nature. A painter as well as a graphic artist, he is constantly experimenting with new techniques and new forms for expression.

 

E120-NATURE MORTE A LA DANSEUSE

Mezzotint: black

19 x 15" (floated)

Signed lower right: Avati

Lower left: 3d etat 10/13

Titled: Nature Morte a la Danseuse

Frame: gold metal leaf over red clay face, black lacquer moulding sides

 



BASKIN, Leonard (b 1922)

American sculptor and graphic artist. He has described himself as a "moral realist" and his figures, despite their fullness, have a desolate, tragic air.

 

E188-MASACCIO

Etching: black

35-1/2 x 22" (floated)

Signed lower right: Baskin

Signed in plate lower left

Lower left: 100/100

Date: c1969

Watermark: Arches -Blindstamp:ES

Frame: gold metal leaf over red clay face, black lacquer moulding sides

 

 

 

 

E245-STAG

Wood engraving, 8.2 x 7.7cm

Signed lower right: Baskin

Lower left: AP

Date: 1957

From: Flaubert's St. Julien the Hospitaller

Ref: Fern, Alan & O'Sullivan, Judith, The Complete Prints of Leonard Baskin: A Catalogue Raisonne 1948-1983

 

 

 

 

 

 

 

 


BELLOWS, George Wesley (1882-1925)

American painter and lithographer, Bellows was born in Columbus, Ohio and attended Ohio State University, where he was encouraged to pursue a career as a professional baseball player. In 1904, during his last year, he left school to study art in New York. Almost immediately he became a student of Robert Henri and closely associated with The Eight, a group of artists who emphasized the validity of the depiction of the contemporary American scene in all its forms. Using broad, bold strokes and a masterful use of light and shade, Bellows was a master lithographer who produced 195 lithographs between 1916 and 1925. These, like his paintings, depict scenes of a purely American nature- prize fights, street scenes, social commentary and satire- displaying his hearty spirit and generous nature. He died from peritonitis subsequent to a ruptured appendix, leaving behind his wife Emma and his daughters Anne and Jean Bellows (now Booth), a La Jolla resident.

 

EX235-THE SHOWER BATH

Lithograph: black

20-3/8" x 26-1/8" (image: 16-1/16" x 23-7/8")

Lower right: Geo Bellows

Lower center: The Shower Bath

Lower left: NO 22

Edition: 2nd State, of 3, from a total edition of 36

Date: 1917

Note: Bellows called this lithograph "a humoresque of the Business men's class at the YMCA. Bathing after the gymnasium." It exists in three states (as recorded in the artist's Record Book B, p. 139), the first state being identified by the moustache of the central figure. The second state is the most finished and least cartoonlike, as Bellows cut down the image substantially in the third state. A number of Bellows' lithographs were signed and intialled (E.S.B.) by his wife, Emma Story Bellows. This lithograph is signed, in pencil, by Bellows himself.


Complete Catalog of prints: page two


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